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Modern Hollywood has a problem of keeping their VFX artists on a time crunch, which often equates to subpar visuals, as they had to meet the deadline set by the studios. In recent years, this questionable practice has witnessed a spike, especially in the landscape of big-budget productions, and unfortunately, Netflix’s newAvatar: The Last Airbenderwas not immune to it.

Avatar: The Last Airbender

While visuals in the Netflix show are mostly great, with fans claiming it’s one of its best aspects, it wasn’t until the night before its premiere that the VFX team was done working on them.

The VFX Crew Wasn’t Done WithAvatar: The Last Airbender’s Visuals Until the Night Before Its Premiere

With big-budget productions becoming the norm in Hollywood, the VFX teams working on certain projects are often overworked to meet the deadlines. Oftentimes, this results in the final product being not up to the mark, with some recent CBMs being its worst examples. And this could very much have been the case for Netflix’s adaptation ofAvatar The Last Airbenderif it wasn’t for some last-ditch Hail Mary from the VFX crew.

“That wrecked me”: Uncle Iroh Actor Paul Sun-Hyung Lee Was Devastated by 1 Avatar: The Last Airbender Scene Inspired by the Original Series

VFX supervisor Jabbar Raisani revealed that they didn’t even get to see the final visuals before its premiere, stating they completed the entire thing the night before its planned release. He toldTHR:

“Well Richard, I will tell you that you still haven’t seen the final visual effects (laughs). Only as of last night were they completed and on the server so, when you watch it tonight at midnight, you will see the final visuals. But look, yeah, it’s a challenge. I think we are always pushing the envelope of what’s possible. We’re always trying to make things better, and we’re always pushing up to the last minute, it seems.”

“The entire plot of ATLA is a bunch of kids with ADHD”: Netflix’s Avatar: The Last Airbender Shot Itself in the Foot With 1 Decision That No Real Fan Can Forgive

While the VFX crew didn’t drop the ball despite having to work on it till the last minute, the same can’t be said for the entire show, as fans aren’t quite content with its quality.

“There’s a lot of scenes I’d love to recreate”: Avatar: The Last Airbender Star Reveals if There’s Going to be a Season 2 for Netflix After Mixed Reception

The VFX Team Took Reference From Godzilla for Koizilla in the Show

One of the best parts of the series involves the design of Koizilla, and Marion Spates, the other VFX supervisor on the show, revealed they took references from Godzilla to make it stand out. Explaining the process behind bringing Koizilla to life and what aspect took the most time to perfect, Spates said:

“We went all the way back to Godzilla for references to look at like how big Godzilla is, how Godzilla screams and yells, and how that high frequency affects his neck and his face. We really had to think about how to make a water creature feel heavy, but also get the point across that it’s a water creature. That itself took some time to figure out, getting that balance between water versus weight. Yeah, to me that one took the most time. And then all the destruction that he’s doing, the simulations, and versions and digital doubles and yeah, all of the hard things (laughs).”

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“The entire plot of ATLA is a bunch of kids with ADHD”: Netflix’s Avatar: The Last Airbender Shot Itself in the Foot With 1 Decision That No Real Fan Can Forgive

Even though it’s an improvement over the last live-actionAvatar: The Last Airbender, it doesn’t hold a candle to the original animated show. But on the bright side, 2025 will see the development of an animatedAvatarfilm, serving as a sequel to the original show, and fans will hope it brings the magic of the animated show back.

Avatar: The Last Airbenderis available to stream on Netflix.

Santanu Roy

Senior Writer

Articles Published :2542

Santanu Roy is a Senior Entertainment Writer at FandomWire, majorly focusing on movies, with over 2,000 articles under his belt. He has been pursuing a degree in Animation and possesses a deep love for the medium of animation. Having spent the better part of the last two years pumping out articles for FW, Santanu excels at covering movie analysis and news surrounding Pixar, DCU, DreamWorks, and Batman’s cinematic legacy.With psychological thrillers and intimate slice-of-life dramas ranking among his favorite genres, Santanu is a big admirer of Luca Guadagnino, Shane Black, Park Chan-wook, and Brad Bird.

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