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All that glitters isn’t gold was made, especially for the anime industry. Amidst the glitz and glam, most anime are subject to intense pressure.Darling in the Franxxis no exception considering its backlash. This is especially true with the pacing and fan service. However, there’s more to it.
Like most contemporaries, animators at Studio Trigger aren’t exempt from the brutal conditions. In the age of competition and hustle, most production houses take up backbreaking work. Conversely, the designers had a perfect hack to dispel pain and pressure. This, however, doesn’t negate the perils of the anime spaces.
Darling in the Franxxdesigner’s unique hack for battling pain
Darling in the Franxxis among the popular and celebrated mecha anime. Written by Code 000, the series is set in a post-apocalyptic and dystopian world. The series, however, is unlike any other mecha anime due to its take on relationships.
Especially with its outlining of dystopian themes. From cult worship to corrupt political systems, the series highlights a futuristic society. This is clear with the idea of procreation. And there’s more to it.
The anime highlights the grappling reality of human conflict. However, its take on procreation and relationships set it apart from other mecha. The series garnered positive reception because of its unique take on the genre.
It also bagged several accolades in the category of music and animation. Its success is attributed to the collective efforts ofCloverWorks, TRIGGER, and A-1 Pictures. Though, the success wasn’t a piece of cake for the animators. The animators had the perfect hack to battle the pressure from the industry.
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Shigeto Koyama shared his advice on battling pain and pressure in aninterview. Koyama who is an animator at TRIGGER won the Crunchyroll Award for best animation. He quoted:
I like to work out my stomach muscles. It’s like when you have a headache and you pinch yourself somewhere else to kind of forget. Tricking the mind to put the focus of the pain somewhere else.
While the hacks and solutions are necessary, it doesn’t negate the series’ perilous journey. Like most mecha anime, the series wasn’t exempt from the backlash and harsh critiques. This is especially true with the relentless criticism regarding the fanservice.
Code 000 took a perilous journey through their series
Code 000 received mixed responses regarding their series. Despite its popularity, it had several pitfalls. This is especially true with the series being laden with fanservice. The distasteful representation of female characters has been met with backlash.
The anime has also been criticized for itssubpar animationby several fans. The criticism is further reflected in the series’ ratings. From MyAnimeList to IMDb, the anime scored merely 7/10. However, there’s more to it.
The series wasn’t exempt from the perils of the animation industry. Apart from being a mecha anime, its storytelling fell flat due to the excessive fanservice. Despite its potential, the series faced extensive flak for its pacing and plot development. Several fans have attributed the lack of depth in storytelling to the lackluster plot.
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Amidst the criticism and backlash, Code 000 carved its space in the mecha genre. The series is among the top 10 mecha anime. Despite its subpar score, it remains an iconic anime. Moreover, CloverWorks, TRIGGER, and A-1 Pictures proved to be a beneficial collaboration.
Darling in the Franxxis available for streaming on Crunchyroll.
Himanshi Jeswani
Anime Writer
Articles Published :993
Himanshi Jeswani is an anime writer at Fandomwire, with her work spanning over 900 articles. Her articles cover shojo, shonen, seinen, and all things beyond. Her interests, however, aren’t limited to simply anime. She has a penchant for exploring different genres of manga, be it horror, yanki, music, and food. She brings out her specialization and expertise in the performing arts through her articles. As a writer, she strives to bridge the gap between the viewers and the medium itself. To her, anime is a revolutionary medium that is capable of creating communities and stories after all.
